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Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.
动画画风独特,动作场面流畅。故事略浅,但娱乐性足够。
《皆为好事》没有靠噱头博眼球,靠完整叙事留住观众,更耐看。
音乐与剧情结合紧密,主题曲有记忆点。
《皆为好事》有几段对手戏非常精彩,冲突与和解都 believable。
不靠旁白解释剧情,画面本身能讲故事。
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